I wanted to get the other recent concerts I've been to covered before this one came up. Changes in the guest performers resulted in an entire replacement of the program. Nothing performed had been in the original schedule and vice versa.
Francesco Lecce-Chong conducted. He's the new MD of the Santa Rosa Symphony, a local orchestra I haven't yet heard under his regime. Despite being a frenetic arm-waver, he seems to have a clear and vivid control over the music.
One half was Mozart. David Fray was soloist in Mozart's C minor piano concerto, K. 491. It was a thoroughly competent performance, about as cheery as this work is going to get. That was the concert's good part.
Also, a 15-minute chunk of ballet music from Mozart's opera Idomeneo. Too grandiose and pompous for my tastes. Reminded me of the Haffner serenade. (The program said it would be 30 minutes. The same thing happened the last time they played a "bleeding chunk" from Wagner. Are the conductors abridging the selections further without telling anybody?)
The other half evoked Italy, though not the cheerful Italy you usually get in Italian-inspired music.
The overture to Verdi's opera on the Sicilian Vespers, an event which, judging from the overture, Verdi thought had its jolly side.
Elgar's In the South, which he wrote during a windy and rainy mid-winter vacation in Italy. (Having been in Italy in October myself, I can believe Elgar's weather.) His response to these surroundings was to write a piece that sounds as much like Richard Strauss as humanly possible. Heaving and gesticulatory. This is what the SFS chose to waste its profound talent on?
Summary: The piano concerto was OK. The rest: great performances of crappy music. And to think I went all the way to the City to hear this.
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