So I was sitting in the members' lounge at the Oregon Shakespeare Festival, having a lively conversation with the young man tending the lounge and a woman of about my own age, who was wearing a nametag identifying her as Susan, a Festival volunteer.
We were talking about reading Shakespeare's plays as allegories, and whether it made a difference if Shakespeare intended it that way. I commented, "A famous author once drew a distinction between allegory, which lies in the control of the author, and applicability, which lies in the freedom of the reader."
"Oh, I like that," said Susan. "Let me write it down," and she pulled out an e-device to do so. "Who said that?" she asked.
"Tolkien," I said. "It's from the foreword to the second edition of The Lord of the Rings."
Both my hearers were impressed with the specificity of this offhand citation, and after I modestly admitted to a certain degree of expertise in Tolkien, Susan said, "You must really like fantasy literature."
"Actually, I hate fantasy," I said. "Pull down a fantasy novel at random from the bookstore shelf and I'll probably hate it. I only like a few good authors."
"Like who?"
Judging it best not to retreat to the real old masters, I named some newer authors who are only recently deceased. Ursula K. Le Guin, whom Susan had heard of. Diana Wynne Jones, whom she hadn't. Patricia McKillip.
Susan mentioned Octavia Butler. I agreed she's a great writer, but really more science fiction than fantasy.
"I've been reading a newer author whom I'm really enjoying," offered the young man. I asked who that was, and from his reaction he must have seen my face fall when he said it was Brandon Sanderson.
I explained: "I read his first novel, Elantris, and couldn't make head or tail of it. But don't let me get in the way. These books are written to be enjoyed, and if you enjoy them, they're serving their purpose."
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