Encouraged by a rave comment we saw online, B. and I rented the DVD of Peter Hall's 1968 RSC production of A Midsummer Night's Dream. The cast was studded with young names destined to be great thespians: Ian Richardson and Judi Dench as Oberon and Titania, Ian Holm as Puck, Helen Mirren and Diana Rigg (!) as Hermia and Helena, and David Warner as Lysander.
But despite this great cast, it was strangely uninvolving, though not nearly as bad as the acclaimed 1964 Richard Burton Hamlet. I think the reason was a now out-of-favor Shakespearean acting style. Though they didn't shout as if they were on stage, the actors had a way of declaiming all their speeches, addressing the air between them instead of each other. I know they could do better than that: Diana Rigg didn't talk at all like that in The Avengers, which she was making at the same time; on the other hand, I once saw a dreadful early modern-setting Helen Mirren film that she declaims her way all through. But they evolved greatly in later years: we're a long way from the Ian Richardson who says "You might very well think that; I couldn't possibly comment," or the Judi Dench who says, "Have a care with my name, Mr. Tilney: you will wear it out."
Thinking back over my Shakespeare stage experience, I think one was just used to this style back then. It began to melt away in the 1980s, I think, and a supremely naturalistic way of speaking Shakespeare, as if his ornate phrasing were common language, came into vogue. You can see it on film in Joss Whedon's Much Ado About Nothing, in which the actors, though none of them trained Shakespeareans, all show that they've absorbed as well as understood the words they speak, and spilling it out as if it was so much crepe-paper roll is right out.
On the other hand ... a sure way to irk me is to declare something I still do obsolete. Here's a condescending list of "forgotten websites you can't believe are still around." I can believe they're still around: I use some of them. My principal e-mail is still Earthlink, and as you can probably see, I run my blog on LiveJournal and Blogger.
Why am I using these things? Because I signed up for them when I needed them and they were the hot new things, and I've found no compelling reason to leave. It'd be disruptive and a nuisance and I like what I have. I'm not tempted to run away after shiny new gadgets. That's also why I still read Tolkien and still belong to the Mythopoeic Society, and why I still listen to the same old music, and why I haven't moved house. It's also not unconnected to why I'm still married to the same woman I met 32 years ago. Not to criticize those whose lives have moved in other directions - and we were forced to move house not much more than a decade ago, though we didn't want to - but in my case the desire to keep a good thing, the impulse for stability and contentment, is the same, no matter how old and creaky I, or my websites, get.
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