This review marks the only Redwood Symphony concert this season I was able to get to. No, my complaint about the unhappy small child didn't get in it.
Nor did my astonishment at a lapse in the conductor's pre-concert talk. Lou Harrison's symphony contains a movement consisting of three sub-movements, "A Reel in Honor of Henry Cowell," "A Waltz for Evelyn Hinrichsen," and "An Estampie for Susan Summerfield," and while he did explain what an estampie is (a medieval dance, a term Harrison was fond of resurrecting), when he was asked who the three honorees were, he apologized for not knowing. I'm not surprised he didn't know Hinrichsen (Harrison's publisher) or Summerfield (a keyboard exponent of his music) - both of whom I had to look up myself - but Henry Cowell? An equally renowned composer, Harrison's teacher and mentor. I would have expected the conductor to know him offhand.
The other astonishment is that it took the cancellation of another work to get the Harrison on. It's his centenary next month: how can you not have planned to honor it, when as a composer he's so much up your alley? Other people are, though I don't know if I'll get to any of these. Most in the area conflict with other things I'm doing, and while I like Harrison's music and have always enjoyed hearing it, I'm not as moved to seek it out as I am for Cowell's.