The Baby on the Fire Escape: Creativity, Motherhood, and the Mind-Baby Problem, Julie Phillips (Norton, 2022)
I hadn't known that Julie Phillips - author of that fabulous biography of Alice Sheldon/James Tiptree - had published another book until I heard her mention it in the course of reading an entry from Ursula K. Le Guin's blog, an online project that's going to involve a lot of guest readers.
It's an analysis of how women writers and other creative artists have balanced their work and the practical job of being a mother, mostly illustrated by example. There's a full chapter on Le Guin, which is why I immediately sought this book out. Phillips is working on Le Guin's biography, and this is the third article I've read of hers on that subject, all written with the same assuredness and insight into character that characterized her Tiptree book.
Each of the featured subjects took an entirely different approach to the problem addressed by the book. Phillips describes Le Guin's method as separating out her two jobs. Once her children were in school, she could write during the day, and taking care of the children and household tasks the rest of the time could be handled because, while her husband had a full-time job, when he was at home he was fully involved in household tasks. For instance, he took the children to all their appointments because Ursula didn't drive. She writes that, while one person can't do two jobs, two people can do three.
The other full-chapter subjects are the writers Doris Lessing, Audre Lorde, Alice Walker, Angela Carter, and the painter Alice Neel. Interstitial chapters bring in other subjects, including the likes of Susan Sontag, Margaret Atwood, and Shirley Jackson whom I'd like to have read more about. Unfortunately there's no index to enable the reader to dig these nuggets out.
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