concert review: San Francisco Symphony

I did it. Rising from my bed of recuperation, I ventured up to the City for my first SFS concert of The Season Without A Music Director. This required two forms of public transit as well as a lot of driving, and my first eating out since early August. The meal was a little iffy - even ordering a smaller than previously customary dinner, I still overestimated how much I'd be able to eat - but everything else went OK.

And I got to hear a stunningly effective concert under guest conductor James Gaffigan. At least so far in its travails, SFS hasn't lost any of its MTT-given snazz. That was on vivid display in this program, four pieces of sophisticated 20C urban Americana.

The excitement kicked off with a gratifyingly tight and exciting performance of Gershwin's Concerto in F. Soloist Hélène Grimaud, dressed in sparkles, dazzled visually as well as audibly. I've called her the Argerich of her generation, and she demonstrated that pizazz. The outer movements were big and brash, which is surely how the composer wanted it. Gaffigan was clearly fully into it on the podium. But even more pleasing was the Adagio, which simply burst with sardonic New York color. The players knew just how jazzy they needed to be. At the end of the work, Gaffigan's first acknowledgment was to rush to the back of the stage to shake hands with the principal trumpet.

Gershwin's An American in Paris, which I've never much liked, was almost as satisfying, shining equally brightly with the same colorful sass, and again Gaffigan shook hands with the trumpeter. Duke Ellington's Harlem has a different style but worked to the same effect with even more jazz stylings, as much as was called for.

I only wish these had preceded instead of followed the one new and unfamiliar (to me) piece on the program, Carlos Simon's The Block, so I could have triangulated and better appreciated the style. As it was, the piece sounded like the answer to the question, What if the composer John Adams had been an urban ethnic?

The one odd clang to the concert came on noting from the program book previous-performances listing that SFS has already played each of these works within the last four years. Considering that, as others have noted, each of the works on the opening showcase concert last week had been played within the previous one year, the programming of last night's concert looks less bold and thematic and more timid and conservative. I think we're in for a lot of that this year.