1) I noticed that several sections were being led by their second-chair players. The principals were off this week. That didn't prevent first-class playing. This orchestra has quality in depth.
2) The article on Beethoven in the program book was very short. In fact, this season all the program notes have been getting short. They already, a few years ago, introduced one-paragraph precis versions of the notes for those who didn't care to read the full essays; now they're not even giving you the option. All you can do is choose between short and shorter.
3) My travel habits to the City are changing drastically. The extra service charge that BART has slapped onto dedicated BART tickets is probably what convinced me to buy a Clipper card, which is what BART is trying to persuade its customers to do instead. The Clipper is the local multi-transit system electronic fare card, equivalent to London's Oyster card. I'd never bought one before, both because I don't take transit often, and because the instructions for using the Clipper were so bewildering. However, before buying it I phoned them up and got some helpful answers.
It turns out that the fuss involved in buying BART tickets for each journey (which I always purchased with cash, and never for large quantities, partly because the paper tickets are fragile) was one of the reasons I often drove to concerts in the City instead. Since buying the Clipper I've been to three concerts, and found myself taking BART to each one. Further, not having to buy a separate fare on Muni, the City's bus-and-streetcar system, has encouraged me to take that. I take BART to where I want to have dinner, and then take Muni, which can get me closer to Davies or Herbst than BART can.
The catch is leaving, since it's less convenient to take Muni back to BART. I can walk the several blocks to the nearest BART station, but it's a slog. Here's where the Symphony can be of help, because they've contracted with a private jitney bus system to provide post-concert shuttle service from the front of the hall to BART.
Well, in theory. Last week I waited 20 minutes until the concertgoers had entirely dispersed, but the bus never showed up. I'd put it out of my mind in the interim, but this week, on arriving, I went and talked with the Symphony's house manager about the problem. To his credit, though he has no control over the buses, he acknowledged that, since the Symphony contracts with them, it's his responsibility to ensure they run properly. He surprised me by saying this is not the only time the bus didn't show up. He thanked me for providing the specifics of a failure case, and invited me to drop by his office when I come back next week to hear what he'll have learned from talking with the bus company.
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